The Berlin based producer m.i.c.r.o. made end of the 90s his first experiences with techno music at the legendary Tresor Club. Inspired by that he began to learn the basics of music production, started to build up his own studio and developed over years his own definition of techno – impelling grooving beats, combined with deep atmospheric and dark sounds. Additionally his music is characterized by his attention to detail. Today he produces his very own unmistakeable music style and the end of the flagpole seems far from being achieved.

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Born in Tenerife in 1981, Beachman showed from a very young age his interest in dance and electronic music, under the influences of 90s Happy Hardcore and House, which he still enjoys. He began to play his first vinyls at the end of this era and oriented himself towards the 2000s at House and Electro House from artists like Skylark, Chymera, Nic Fanciulli, 16 bit Lolitas, Steve Lawler, etc… Since that time his style evolved more and more into Tech-House and Techno, strongly influenced by Mendo, Ilario Alicante, Tim Green, Adam Beyer and many more. Being more and more interested not only in playing vinyls, but also in producing his own music, Beachman set up his own small studio in Barcelona three years ago. Step by step he started into the world of music production, developing continuously effective tracks with strong rhythms, which are bearing his very own sinature.
 
 

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From Brčko, a city in Bosnia and Herzegovina, comes a well known producer and DJ in these areas.
10 years old, he started listening to electronic music and at the age of 16 he had his first dj-gig at a local club. Not too much interested in djing he devoded himseldf to the goal of reaching a rank of professional producer with minimal oriented sounds. At the end of 2007 his first release got out on the italian label Subtronic Records. At that time the things started to happen…
He began to run two own labels: Noise Planet Records and Kaseta Music Records. Many succesfull DJs like Umek, Marko Nastic, Valentino Kanzyani, Sinisa Tamamovic, Mladen Tomic etc. charted his tracks still before they apeared in the TOP 100.
His specific minimal sound connected Sinisa Lukic with labels like Italo Business, Stolen Moments, Jesus loved you, and put his name on various compilations like Simplicity vol. 1 [Jesus Loved You] and Sound Shifting 2 [Manual music] etc… Many joint gigs together with Marko Nastic, Dejan Milicevic, Sinisa Tamamovic, Antrax, Felipe, Nicolas Bacher, Smith… in Brcko, Belgrade, Sarajevo, Bijeljina, Novi Sad (Exit 08), Doboj, Samac… followed.
Developing his magnificent style and reputation in the Bosnian club scene brought him to different countries in whole Europe. The unique minimal techno sounds with groovy bass line and effects that will force your body to move with the rhythm by itself, are going to place him in worlds map of electronic music.

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Kenny Mitchell is the original Brooklyn Boy Wonder, now living in England. He Djed his first party back in 1986, and hasn’t stop since that time! Kenny was part of the early NYC Underground Rave Crew and blasted out of NYC to regularly play at worlds best clubs and festivals. He started the famed Big Hug and Freaks N Friends parties in NYC, that are still talked about with great respect.
Kenny has toured with Platinum Selling Bands, and been filmed by MTV on 2 World DJ Tours with sold out shows across Germany, Japan and the UK.
The BBC (UK), Channel 4(UK) and VIVA (EU) have done TV features on him and his musical/spiritual journey. Taking Green Velvet’s words from the track Shake & Pop… Kenny “likes Electro, House and Techno”, but expect to hear this NYC Native mix it up with as much Brooklyn as Berlin.
From Djing at Super Clubs around the world to Secret Warehouse Parties, Underground Train Station Raves, to V.I.P. Celebrity and Mega Charity Events, War Torn Bunker Parties in Berlin to 9 hour DJ sets in Africa…Kenny has played it All! Yes even a teen disco right after headlining Berlin’s Love Parade and the infamous No UFO’s Party. Legend has it that Kenny was even booked by U2’s Bono and the Rev. Billy Graham all in the same week. (Both are true and Kenny went on to produce the Rev. Grahams’ Critically Acclaimed “NYC GET REAL” Urban Soundtrack)
Along side his solo dj work, Kenny also teams up with the famed Russ Jones of London’s Hackney Globetrotter/Future World Funk status to create Tropical mayhem on Soundsystems across cities near you!
As a Producer and Remixer, Kenny has an extensive list of releases. He produces and performs under the names: !ALLCITY!, Deeptilt, Bus2Berlin and Haus of Ninja. Kenny has just released 2 Remixes and an EP on the infamous it_Tizz Recordings and Remixes coming out on Vicious Music,Big Sky, and Tehillah Rec. And to keep things really moving, Kenny just signed an amazing deal with London’s Super label: Loungin‘ Records. This last signing has Kenny neck and neck with the Heavy Weights Trevor Loveys, Herve, Switch and Oliver$ !
He has also inked a deal with the publishing power house of BIG SKY SONG. So expect to hear Kenny’s music in all the right places!
In his down time, Kenny is putting together his dream team live band and show to tour 2012.
STAY TUNED

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Influenced by mixtapes from Duran Duran, Depeche Mode and similar artists, Coutis made his first experiences with Acid House in the late 1980s. His interest for more had been aroused and he started visiting clubs in the early 1990’s, where he got strongly influenced by Techno and House Music. His passion for electronic music reached the next level.

A few years later he started spinning his first records and learned the basics of music production in a small bedroom stodio of a friend. From that piont on things started happening really fast: Courtis began playing regularily at many Clubs between Bonn and Cologne and organized an own party series. Furthermore he started producing music, set up his own studio and founded the label ‚Delikt‘ in 2012.

Meanwhile he released an impressive number of own tracks and eps on well known labels like Harthouse, Wasabi Recordings, Doppelgaenger Rec, Gastspiel Rec. etc…

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